Death on the Nile |
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a Hercule Poirot mystery Collins: London, 1937 Dodd, Mead: New York, 1938 |
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326 pages |
November 2010 | |||||||||||||||||||||||||||||||||||
Agatha Christie's famous and memorable mystery novel, Death on the Nile, after some premonitory scenes mostly in England, takes place on a River Nile excursion steamboat, with some sightseeing landfalls among ancient Egyptian monuments near the river banks. As with most of my favorite Christie novels, her famous detective Hercule Poirot is involved almost from the very beginning, so we see almost the whole sequence of events through his thoughtful eyes.
I want at once to differentiate this from several other Christie murder adventures set in the Near East: Murder in Mesopotamia (1936), also a Hercule Poirot mystery; Death Comes as the End (1945), set in ancient Egypt; and They Came to Baghdad (1951), an international-intrigue thriller. The plots of these are thoroughly embedded in their setting. All enjoyable, but far short of the one at hand. In contrast, Death on the Nile requires for locale basically a tourist riverboat in a lonely stretch of river; and granting that, could be set most anywhere. Although there is some majestic background scenery from the Nile River and Pharaonic ruins, Christie holds these strictly in the background, devoting her attention and the reader's to her exquisite tangle of mystery and detection. Agatha Christie's ability as a portrait miniaturist is nowhere shown more cleverly than here, with a good number of characters sketched concisely but clearly; and although quite various, even empathetically. This is particularly vital because the complex murder mystery and attendant detective work is brilliantly laid out and developed, with surprising twists and developments throughout. Beautifully plotted, vividly developed. Death on the Nile is a masterpiece of detective fiction.
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