The Ship That Found Herself |
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The Idler, December 1895 The Day's Work |
August 2010 | |||||||||||||||||||||||||||||||||||
Even in 1895 near the end of the Nineteenth Century, when "The Ship That Found Herself" first appeared, machinery seemed to be everywhere — but it was not nearly so ubiquitous in peoples' lives as it was to become. For instance, the builders of railroad equipment or of a steamship would be immersed in industrial machines during the day, and might take a streetcar home after work. But once at home, as John Brunner points out in a 1992 introduction to the story, a bicycle or treadle-operated sewing-machine might be the most complex machines at hand. Among Rudyard Kipling's several geniuses, or range of sensitivities, is a feeling for the character of machines, of things built by men that do work in aid of mankind. Kipling saw into the nature of such workaday wonders as steamships, saw their inwardness that gave them character — and even, as in the case of "The Ship That Found Herself", the characters or personalities of the structural parts of a steamship. Now, I wouldn't call this a pantheism; but there is something in Kipling akin to the archaic Greeks who peopled their woods and meadow-banks with exotic spirits, not so much deities as embodying or signifying some distinctive quality of material objects in their settings. It's a truism that poets describe flowers in more sensuous detail than we normally notice. Kipling's prose can make the man-wrought metal and wood speak to us: At sea crossing the North Atlantic, both the elements of the sea and the new steamship's components are quite vocal, each according to its nature:
A simple conceit, but a thoughtful and affecting story.
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© 2010 Robert Wilfred Franson |
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